xy

On filming a television production of Death of a Salesman, as quoted in The New York Times (15 September 1985) http://query.nytimes.com/gst/fullpage.html?res=9805E2DE133BF936A2575AC0A963948260&sec=&spon=&pagewanted=all

“The number of elements that have to go into a hit would break a computer down…. the right season for that play, the right historical moment, the right tonality.”

Arthur Miller (1915–2005) playwright from the United States

The New York Times (9 May 1984)

“Above all else, tragedy requires the finest appreciation by the writer of cause and effect.
No tragedy can therefore come about when its author fears to question absolutely everything, when he regards any institution, habit or custom as being either everlasting, immutable or inevitable. In the tragic view the need of man to wholly realize himself is the only fixed star, and whatever it is that hedges his nature and lowers it is ripe for attack and examination.”

Arthur Miller (1915–2005) playwright from the United States

Tragedy and the Common Man (1949)

“Work a lifetime to pay off a house — You finally own it and there's nobody to live in it.”

Arthur Miller book Death of a Salesman

Willy
Death of a Salesman (1949)

“The theater is so endlessly fascinating because it's so accidental. It's so much like life.”

Arthur Miller (1915–2005) playwright from the United States

The New York Times (9 May 1984)

“I have made more friends for American culture than the State Department. Certainly I have made fewer enemies, but that isn't very difficult.”

Arthur Miller (1915–2005) playwright from the United States

After being refused a passport for his supposed disloyalty. The New York Herald Tribune (31 March 1954)

“You cut your life down for spite!”

Arthur Miller book Death of a Salesman

Willy
Death of a Salesman (1949)

“Hale: There is a prodigious fear of this court in the country —
Danforth: Then there is a prodigious guilt in the country. Are you afraid to be questioned here?
Hale: I may only fear the Lord, sir, but there is fear in the country nevertheless.
Danforth: Reproach me not with the fear in the country; there is fear in the country because there is a moving plot to topple Christ in the country!
Hale: But it does not follow that everyone accused is part of it.
Danforth: No uncorrupted man may fear this court, Mr. Hale!”

Arthur Miller The Crucible

The Crucible (1953)

“Let either of you breathe a word, or the edge of a word, about the other things, and I will come to you in the black of some terrible night and I will bring a pointy reckoning that will shudder you. And you know I can do it; I saw Indians smash my dear parents' heads on the pillow next to mine, and I have seen some reddish work done at night, and I can make you wish you had never seen the sun go down!”

Arthur Miller The Crucible

Abigail Williams
The Crucible (1953)

“The closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.”

Arthur Miller (1915–2005) playwright from the United States

Collected Plays (1958) Introduction, Section 1

“If I see an ending, I can work backward.”

Arthur Miller (1915–2005) playwright from the United States

The New York Times (9 Feb 1986)

“I figure I've done what I could do, more or less, and now I'm going back to being a chemical; all we are is a lot of talking nitrogen, you know…”

Arthur Miller (1915–2005) playwright from the United States

Leo in I Can't Remember Anything in Danger: Memory! : Two Plays (1987)