Felipe González

“Today, going to schools is essential, since, just as doctors have a duty to protect life, writers must spread literature, because literature is in itself, along with art in general, the greatest form of freedom we still have.”

“In a certain way, I think that literature is capable of effectively uncovering and revealing many more “layers” of the framework that composes and hides our society and ourselves. That is, it is capable of bringing us closer to something that, for lack of a better word, I will call “Truth,” and that applies to Art itself, more than to History, more than to Anthropology, or more than to any other branch of the Social Sciences.”

“While it's true that, recently, Ramiro Gutiérrez had shown a tendency toward tearful and painful literature, he had never felt the same way, for example, as the pathetic Werther or the gallant Don Quixote.”

“…sometimes I feel like I betray the writer when I try to teach literature.”

“His life had been a sum of half-hearted decisions.”

“Already in his old age, at seventy-five years old, after being seriously hospitalized for a severe heart attack, Javier Pérez would remember that only once in his entire existence had he believed he understood what life was.”

“…the literary feeds on that fragility of life.”

“We cannot be naive: the literature book will not solve poverty by itself”

“As a poet I am an emotional accident; a lyrical tourist.”

“In my opinion, and beyond the different definitions about this literary genre or the absurd academic discrepancies about its constitution or taxonomy, the story is above all an experiential art.”

“Promoting reading is a moral responsibility of writers.”

“Without underestimating the virtues of technical, specialized and necessary education, we cannot accept an education that eliminates the other dimension of human knowledge, that which motivates us to be more cultured, more human, deeper, more emotional.”

“If we focus only on making money, people's knowledge will be reduced until we become experts in our subject, but ignorant about human beings.”

“Today the writer has to be on the ground, because it is on the ground where he is needed most.”

“The person on foot realizes that there is no misery in cities like Madrid or Barcelona, ​​first world cities that, I think, have lost the heart that Latin Americans still have.”

“We know well that there is poverty in Latin America, beyond the beauty of our nations.”

“After that “amen,” Evaristo discovered the faces of approval and fear of his audience, so he knew that he already had them in his hands.”

“This is how, without the consent of the two lovers, of its two main characters, of the only ones who were originally worth anything in this short story, the narrator decided to incorporate two more words into the plot: “doubt” and “uncertainty.””

“They never noticed the one who, silently, sustained this story, chose the future, set the guidelines for their memories and desires.”